I like working on tattoos that have enough room for a complete composition. A full sleeve, a back piece, or a design that connects several parts of the body gives me more possibilities than a small, isolated image.
When we discuss your idea, I want to understand what you're drawn to, which elements matter most to you, and where the tattoo will go. You don't need to come in with a finished design.
I pay a lot of attention to how a tattoo fits the body. Something can look great on paper but need a different arrangement to work on an arm, a chest, or a back. I think about where the main elements belong, how they connect, and how the tattoo looks from different angles.
I've been tattooing since 2002, and I still enjoy figuring out how to turn an idea into a complete piece.
If you're planning a sleeve, you can also read more about how I approach larger sleeve projects.
I gave my first professional tattoo in April 2002 and have been tattooing for more than 24 years.
I've participated in and attended approximately 40 tattoo conventions around the world.
Over the years, I've tattooed more than 5,000 people. I'm grateful to everyone who has trusted me with their skin.
From Japanese and biomechanical tattoos to realism, black and grey, and large-scale cover-ups, I work across different styles and subjects.
Explore my work below and see which direction speaks to you.
Dragons, masks, traditional Japanese imagery, and large compositions that flow with the body.
VIEW WORKFuturistic machinery, organic forms, and designs that follow the body.
VIEW WORKDetailed shading, strong contrast, and large-scale black and grey compositions.
VIEW WORKPortraits in color and black and grey, with attention to expression and detail.
VIEW WORKSome of my tattoos have received awards at conventions over the years, including recognition for large-scale work, realism, and other styles.
I appreciate that recognition, especially when it comes from artists who understand the work behind these pieces.
You can see the winning tattoos and the events where they were recognized on my awards page.
Whether you're planning a full sleeve, a back piece, or a larger composition, I'd love to hear what you have in mind.
Send me your idea, the placement you're considering, and any reference images you have. We can discuss the design direction and plan the project around full-day sessions.
The consultation is free, and I usually respond within 1–3 business days.